Video by Bjørn Staal.

Algorytms: Momentum and Temporality in Generative Art

The international group exhibition Algorytms: Momentum and Temporality in Generative Art brought together leading voices in algorithmic and generative art to examine how systems of code have become central to contemporary visual culture, where the artist’s true work is not the image itself, but the logic that generates it.

CLIENT
Self-initiated by COLLECTIVE OSLO
in collaboration with
Bjørn Gunnar Staal

LOCATION
Gamle Museet, Oslo

CATEGORY
Cultural Activation

DELIVERABLES
Concept Development & Curatorial Collaboration
Facilitation & Production
On-site Execution
Artist Coordination
Guest Journey & Flow
Post-event Documentation

CURATOR
Bjørn Staal

GENERATIVE ART EXHIBITION CURATED BY BJØRN STAAL
x COLLECTIVE OSLO

Regenerating Momentum

Curated by Bjørn Gunnar Staal, this one-night only exhibition took the shape of a performance of a realtime art flow, unfolding, regenerating, and reacting to invisible algorithmic systems. Visitors were invited to feel the works, to sense the internal logic, the hum of the algorithm, the cadence of Momentum.

Close-up view of a digital stock market screen displaying stock prices, graphs, and numerical data in green and white on a black background.

All photos: Ove Martin Sandness

Unrepeatable Sequences

Large indoor digital screen displaying an abstract colorful image with shades of orange, white, and blue, mounted above a dark wall with stage lighting and equipment.
Digital art of city skyline and a monitor with text: 'ANDERSON CYBERSECURITY SYSTEMS.'

Across the exhibition performance, images emerged and decayed; forms repeated, evolved, and vanished. This temporal dimension spread across the massive curved screens, made viewers active witnesses to duration: to the slow, unpredictable unfolding of digital processes. Each moment unrepeatable, a trace within a larger, self-regulating continuum.

This immersive experience  became a space where attention stretched and perception slowed, inviting reflection on our relationship to the digital, the ephemeral, and providing an opportunity to feel the endlessly generative.

Digital art installation featuring distorted images of buildings and structures projected on a wall, with visible scaffolding and ceiling pipes.
MAXIME PLESCIA-BÜCHI + BJØRN GUNNAR STAAL – Cathedral of Ego
Digital projection on a large wall displaying grid lines, holes, and text including 'FRAGILE SYSTEM,' 'GBORN STEAL,' and 'H.' dark room with some lights and equipment.
People watching a digital art display or electronic visual installation on a large curved screen at an indoor venue.

All photos: Ove Martin Sandness

PARTICIPATING ARTISTS

Kim Asendorf
Visual Artist

Andreas Gysin
Graphic Designer and Generative Artist

Leander Herzog
Visual Artist

Karsten Schmidt
Computational and Generative Designer

Bjørn Gunnar Staal
Independent Artist and Researcher

Marius Watz
Artist

Supporting the Arts

This project is part of COLLECTIVE OSLO’s long-term commitment to supporting the arts through bold, inclusive cultural formats. By initiating and producing projects outside the commercial sphere, we foster collaboration across disciplines, elevate emerging creative voices, and reimagine how art and culture are experienced—especially by younger and more diverse audiences. Each activation reflects our belief that participation builds connection, and that the most vital creativity happens where disciplines, people, and perspectives intersect. Always seeking the most vibrant frequencies in art and culture.

These cultural activations are made possible through support from public institutions and our partners including Oslo Kommune Kulturetaten, KORO, and Innovation Norway.