MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL
x COLLECTIVE OSLO

Cathedral of Ego: Light, Code, and Transcendence

Born from COLLECTIVE OSLO’s curatorial initiative, Cathedral of Ego united two distinct creative worlds. Tattoo artist and Sang Bleu founder Maxime Plescia-Büchi joined forces with generative artist and VOID co-founder Bjørn Staal to explore the intersection of symbolism, code, and the sacred. The result was an ephemeral installation of light and sound in the forest of Ekebergparken.

CLIENT
Self-initiated by COLLECTIVE OSLO
in collaboration with
VOID

ARTISTS
Maxime Plescia-Büchi – Artist, Founder of Sang Bleu
Bjørn Staal – Generative Artist, Software Developer, Co-founder of VOID Studio

LOCATION
Ekebergparken Sculpture Park, Oslo

CATEGORY
Cultural Activation

DELIVERABLES
Ideation & Curatorial Collaboration
Facilitation & Production
Artist Coordination
Guest Journey & Flow
Post-event Documentation

VIOD
Concept
Engineering
Software Development
Visual Content
Generative Audio

Intersections of Practice

Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO Red laser light art installation forming geometric shapes and patterns in darkness.

Cathedral of Ego grew from an ongoing artistic dialogue between Maxime Plescia-Büchi and Bjørn Gunnar Staal, two practitioners exploring different forms of structure and transcendence. Using a custom interpretation software, sound, motion, and exchange were translated into evolving geometries. Through this process, conversation became code, and code became form — a shared language between the physical and the digital.

Ephemeral Architecture

Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO Laser light show with red and purple beams creating circular patterns and purple fog in darkness.
Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO Laser lights creating geometric patterns and sharp lines in a dark space.
Blue laser light display projected onto the ground in a circular pattern in a dark environment.
A person stands in a dark forest at night, illuminated by colorful purple, blue, and white light projections on tall structures, with leafless trees surrounding them.

Set in the early winter forest of Ekebergparken, the installation materialised as a living structure of light, laser, and smoke. Geometric figures emerged and dissolved across the forest floor, forming a transient cathedral that invited contemplation and presence.
As the audience moved through shifting beams and haze, the work became experiential, a dialogue between technology and spirituality, the tangible and the immaterial, the self and its echo in the digital realm.

At its conceptual core, Cathedral of Ego examined the transformation of belief in contemporary culture, from the religious transcendence of the ego to the modern pursuit of salvation through technology. In this interplay between art, ritual, and innovation, the work asked what it means to seek meaning in an age of machines.

Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO A person in a dark outdoor setting with red laser lights creating geometric shapes and cone-like structures in the air.
Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO Nighttime outdoor scene featuring a person interacting with blue laser light installation among trees.
Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO People walking through a forest illuminated by red laser lights and fog.
Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO Green laser light art installation with geometric shapes and lines at night, with trees and a power line structure in the background.
Cathedral of Ego: Light, Code, and Transcendence  MAXIME PLESCIA-BÜSCHI AND BJØRN STAAL  x COLLECTIVE OSLO Close-up of a spider web illuminated with blue light in darkness.

Supporting the Arts

Vertical black and white banner with the word 'COLLECTIVE' written in bold, large, uppercase letters.

This project is part of COLLECTIVE OSLO’s long-term commitment to supporting the arts through bold, inclusive cultural formats. By initiating and producing projects outside the commercial sphere, we foster collaboration across disciplines, elevate emerging creative voices, and reimagine how art and culture are experienced—especially by younger and more diverse audiences. Each activation reflects our belief that participation builds connection, and that the most vital creativity happens where disciplines, people, and perspectives intersect. Always seeking the most vibrant frequencies in art and culture.

These cultural activations are made possible through support from public institutions and our partners including Oslo Kommune Kulturetaten, KORO, and Innovation Norway.